Kamil Sleszynski, Input/Output (2014 – 2015)
You go to prison only once. The first time. After that, there is no prison. There is no freedom either. Everything is the same. A. Stasiuk, The Walls of […]
You go to prison only once. The first time. After that, there is no prison. There is no freedom either. Everything is the same. A. Stasiuk, The Walls of […]
Brutal by a Polish photographer Michał Łuczak (member of the Sputnik Photos collective) is a great example of a micro-documentary choosing to tell ‘little’ stories instead of grand narratives. In his cycle Łuczak documented Katowice Railway Station – once […]
To send you the very last (virtual) rays of sunshine this summer, we’d like to share a new project – Hungarian Sea – produced in 2010 – 2011 by a Polish […]
documentEAST is delighted to announce a new collaboration with Everyday Eastern Europe – a collective mobile phone photography project documenting daily life in the region. We were looking for a […]
Coastline (2008 – 2010) by Tomasz Lazar is a fascinating, black-and-white series about the Polish coastline of the Baltic Sea, where the photographer documents daily life on the coast. In the introduction to […]
Suiti (2014 – present) by a Polish photographer Marta Berens is a documentary project about the Suiti people – a small Catholic community inhabiting the Protestant western part of Latvia. When researching Latvian […]
Clear of People (2012 – 2013) by Michal Iwanowski, a Polish photographer based in the UK, retraces a journey that his grandfather, Anatol, and his uncle, Wiktor, made towards the […]
document EAST is heading East for Christmas but wanted to leave you all a small gift – a selection of vintage Christmas cards from the Polish People’s Republic and Soviet […]
I Reminisce and Cry for Life by a Polish documentary photographer Agnieszka Rayss (a member of Sputnik Photos) portrays female veterans of the Second World War from Belarus. ‘This project was inspired […]
The Sound of Two Songs by Mark Power, a British Magnum photographer, is a culmination of his five-year-long project set in contemporary Poland following its accession to the European Union. The […]